About

From my East London studio, as a British artist, maker, and founder of Studies of Blue World, I handcraft sensitive, poetic accessories for both the person and the home — with an affection for sadness that quietly shapes everything I create.

My work finds beauty in the mundane and the melancholy — each piece capturing quiet, intimate, and often overlooked moments, held with a tenderly playful gaze. These are stories and memories told with gentle curiosity, honesty, and a hope for connection.

Every item is handmade and hand-embroidered, carrying a unique, charming irregularity that reflects the time, care, and quiet intention behind it. I hope each becomes an heirloom — a small, meaningful keepsake to be cherished.

I work with vintage, surplus, and deadstock fabrics wherever possible, alongside responsibly sourced textiles from heritage mills. Studies of Blue World takes a thoughtful, holistic approach: a slow, intentional process that’s as much about storytelling as it is about design. Every offcut is repurposed, and each decision made with care.

My work is a quiet contribution to environmental and social equality — offering small, meaningful gestures in a shifting world.

While my creative path led me into fashion design, painting and handcrafting have remained my most personal, instinctive, and precious forms of expression.

I grew up in suburban middle England with a difficult, often traumatic childhood. I’ve moved through periods of anxiety, depression, and agoraphobia. I’m incredibly shy, mildly face-blind, and often afraid. These fragments of my past find their way into my work — lingering in the expressions I paint and make, adding a sense of distance, introspection, and quiet vulnerability.